On January 16, the first season of Zhejiang Satellite TV’s "Running Brothers" ended perfectly, and both audience ratings and word-of-mouth are the existence of a "phenomenon" program. Because it is the last episode of the regular program, the "Running Group" and fans are collectively reluctant to shed tears, and many viewers kneel and beg for the "quarterly broadcast" to become "annual broadcast", so that they can enjoy the happy time brought by the "Running Group" throughout the year. Although the "annual broadcast" has not yet been realized, and the second season will not be able to meet you for a few more months, the audience can still enjoy the joy brought by "Running" at 21:10 pm on January 23 (Friday). " In order to give back to fans, Running Brothers has added a special Easter Egg episode. This Friday (January 23) will stage the "Concert Special Edition" program. In addition to the "Running Group" familiar to the audience, Yu Quan, Lin Junjie, Luo Zhixiang, Wang Xinling and Quan Zhilong and other idols will also appear to help out. Zheng Kai is the first to show his dancing skills, and even the "Asian Dance King" Luo Zhixiang can’t help but praise his handsome movements. Even for the "concert", "Running Brothers" is also indispensable to the two magic weapons of "Shiatsu Board" and "Tear Brand War". How wonderful will Luo Zhixiang and Wang Xinling, who have never experienced Shiatsu Board and Tear Brand, perform? On January 23rd (Friday) at 21:10 pm, Zhejiang Satellite TV’s "Run, Brothers" will be announced for you.

The special edition of "Running Concert" with the help of stars can’t escape the fingerboard and tear the famous brand

In this week’s "Running Brothers", the audience can not only reap the joy as always, but also enjoy the eyes and ears, and enjoy the wonderful songs and dances brought by all kinds of big coffee. Accustomed to the funny performance of the running group in the program, it must be very exciting to see how they sing and dance. As one of the main guests, Lin Junjie sang two classic songs at the beginning to detonate the audience, and then performed the new song "It’s a pity that there is no if" with Angelababy. The MV of the evening instantly reached a climax, and it could not stop at all. This MV is exactly what Angelababy promised to repay Lin Junjie for "not tearing up the favor" when recording the program in Wuhan. After that, the "Running Group" jointly sang the theme song "Superheroes" of "Running Brothers", which attracted a chorus of singing, and the applause overshadowed for a while. Of course, Yu Quan, Luo Zhixiang, Quan Zhilong and Wang Xinling and other guests who helped out brought their own wonderful performances.

In addition to singing, this special program naturally also includes the gold medal event "Shiatsu Board" and "Tear Famous Brand Battle" of "Run Brothers". The "Running Group" on the scene is divided into the blue team composed of Deng Chao, Chen He and Wang Zulan and the red team composed of Li Chen, Zheng Kai and Angelababy. The two sides competed with their respective supporting guests. In the program, the "Running Group" once again challenged new ways to play – "Shiatsu Board Lion Dance" and "Elastic Rope Tear Famous Brand". When Chen He, who thought he had gotten rid of the "acupressure board", saw the "little bamboo shoots" that made him feel the most pain in front of him, he directly screamed and knelt down on the ground and did not want to move again; and Luo Zhixiang, the "little pig" who tried the acupressure board for the first time, also collapsed on the ground after playing. After the guests who helped out after experiencing the "acupressure board" stepped down, they all said that the "running group" is completely using their lives for entertainment! In addition, the innovative "elastic rope tearing famous brand" is still thrilling, and the "Chenhe mother and son" combination that was divided into two teams also staged a scene of "love and kill". The audience was made to scream and laugh by the exciting and funny scene on the stage, and some even sighed. It was the first time to feel the charm of "Run Brothers" so close, and the feeling of the scene was not much worse than that on TV.

"Cheetah" Zheng Kai shows off his dancing skills on the spot, and his handsome movements are not inferior to "Dance King" Luo Zhixiang

Since it is a concert, gorgeous singing and dancing are naturally indispensable. As soon as Luo Zhixiang appeared on the scene, he conquered the audience with a gorgeous dance song "Love to Toss the Network", and his domineering dance steps showed the style of the "Dance King". Since most of the "Running Troupe" are actors, they have their own strengths and weaknesses when it comes to performing, but when it comes to singing and dancing, it is really difficult for them. So in this program, except for the "Running Captain" Deng Chao, who is "crazy", who sings and dances, the others basically only dance without singing, and the dance of the "Fart King" Zheng Kai is particularly eye-catching, and even the "Asian Dance King" Luo Zhixiang present can’t help but praise it. Before Zheng Kai’s appearance, Deng Chao, Chen He and other "enemy camp" did not forget to complain: "He can only lose points by dancing." Even Li Chen, who was in the same team, was quite worried about Zheng Kai’s performance. But when Zheng Kai really started to perform, the handsome movements and dazzling sound and light effects instantly turned "Little Cheetah" into "Cool Handsome Leopard". When they took the stage again, Li Chen and Deng Chao almost knelt and slid in front of Zheng Kai. Li Chen couldn’t help but shout, "How did you do it?" When he heard that Zheng Kai practiced so well in just two days, Luo Zhixiang, the "dance king", couldn’t help but marvel: "Wow, that’s really amazing."

The program introduction is here. For more highlights, please lock in Zhejiang Satellite TV at 21:10 pm this Friday (January 23).

1905 movie network news A few days ago, the cumulative box office broke 800 million, surpassing the number one box office. As the first animated epic, The Three Wan Li in Chang ‘an once again illustrates the fetters between China people and traditional culture, and becomes a successful example of the combination of traditional culture and business.

The modern expression of traditional culture is constantly transforming and upgrading. In the past, people were easily attracted by symbols, such as Hanfu and tea, but this time, the audience was moved by the deep meaning of poetic culture in Three Wan Li in Chang ‘an. "Poetry" expresses ambition, which is about feelings and aspirations. This kind of feelings and aspirations are not as delicate and gentle as those of Song Ci, which focuses on love and homesickness, but more about the magnificent feelings of home and country.

The image of the prosperous Tang Dynasty, the culture of Tang poetry and the poet’s life are integrated in Three Wan Li in Chang ‘an. Aspiring poets yearn for Chang ‘an, saying, "You and I should be this prosperous time and be Dapeng"; When frustrated poets look at Chang ‘an again, they may understand that the prosperous and frustrated Chang ‘an is an Chang ‘an.

Chang ‘an:

The shadow under the prosperous Tang dynasty

Three Wan Li in Chang ‘an is essentially different from other works that express the prosperous Tang Dynasty. So far, there have been many works depicting the prosperous Tang Dynasty. For the Chinese people, the prosperous Tang Dynasty is a prosperous and even some erosive dream, so no matter how many prosperous and gorgeous elements are piled up, many creative teams follow this psychological expectation to describe the prosperous Tang Dynasty. However, "Three Wan Li in Chang ‘an" is the opposite. At the beginning of the film, the prosperous Tang Dynasty has passed.

There is always a faint sense of crisis in the movies when they express the weather in the prosperous Tang Dynasty. The film did not avoid the problems in the prosperous Tang Dynasty, such as family prejudice, corrupt officials, have it both ways, and imperial humiliation … … The son of a businessman can’t take part in the imperial examination, and those who fall behind in the family are not worthy of "writing a book". Even if a woman is talented, she still has no way to serve her country. These characters in the prosperous Tang Dynasty, Li Bai, Gao Shi and Pei Shi-er, all have the depression of not meeting her talents. There is a great contrast between this kind of depression and the prosperous scene of the Tang Dynasty in the eyes of the public.

Some friends in the audience said: The film didn’t capture the prosperous Tang Dynasty in their own mind. But if the prosperous Tang Dynasty was really perfect everywhere, what about its downfall?

During the An-Shi Rebellion, Chang ‘an was besieged, and Datang was in the autumn of critical survival. The people who rescued it all experienced the prosperous Tang Dynasty, such as Li Bai, Gao Shi, Ge Shuhan and Guo Ziyi. They had a prosperous memory of the prosperous Tang Dynasty, and then looked at the broken dynasty with compassionate eyes.

Movies have their own cultural mission. The idealized prosperous Tang Dynasty exists in the deep heart of every China person, which will always inspire our national spirit. However, these real crises dormant in the Tang Dynasty can better convey the sense of social responsibility and historical peril. Even Li Bai, the most idealistic, still wrote countless poems with a sense of hardship, such as "The Eighteen Ancient Styles", "The pommel horse is like a dragon, and gold wraps around the horse’s head. Pedestrians are all different, and their ambitions are everywhere. "They write about the arrogance of officials and the disgust of the people. This is the alert function of intellectuals and the sense of responsibility for their cultural mission.

With the lessons of the downfall of the prosperous Tang Dynasty, modern society should be more alert to the principles of respecting human rights, knowledge and talent. Only in this way can the "prosperous times" be passed down from generation to generation.

Poet:

A frustrated initial heart

In the film, Gao Shi refused to enter the shogunate at first, but in the end, it was because he worked as a staff member for Goshuhan that he had the opportunity to become an envoy of the three towns. After several setbacks, he finally climbed to the top of another mountain.

Gao Shi and Li Bai in "Three Wan Li in Chang ‘an" have been polished by the creative team and become a two-sided relationship. When Li Bai read Cui Hao’s poems, he found that there was someone outside. Gao Shi competed with Pei Twelve, and later realized his own limitations. From then on, the two separated and embarked on two completely different ideal roads.

The Road Not Taken is an eternal proposition in life, and we always envy ourselves for choosing another road. Li Bai and Gao Shi look after each other like two peaks. Li Bai looks at how the one who chose realism becomes Gao Shi, and Gao Shi looks at how the one who chose romanticism becomes Li Bai. Even if they hold different life beliefs, their hearts are still full of admiration and praise for each other. But no matter what kind of life path, "taking the country and the world as their own responsibility" has never changed, so they still maintain a hope and concern for each other. This is a compliment to another "I" and an expectation of keeping my original heart forever.

This group of poets in the Tang Dynasty all had simple career ideals and longed for "once climbing to the top of the peek, one would see and the other mountains all appear dwarfs under the sky.". Life is like climbing a mountain, but different people will choose different slopes. They may go the same way at first, and they may disagree halfway, but as long as they are all climbing mountains, they have the same goal in life. No matter how rough this initial encounter is, as long as they keep climbing the mountain, they are respectable friends of each other.

The literati in Three Wan Li in Chang ‘an have never fully realized their ambitions, but they are always on the road to achieving them.

There are three realms in art, one is pleasing to the eye at the symbolic level, the other is that the more you feel, the more you believe, and the third is that the more you value. Children, young people and middle-aged people, step by step, each appreciate the aesthetics, emotion and value thinking of the film.

No matter how many frustrations you encounter in Chang ‘an, you always have young ambitions, and the audience is moved by this kind of blood. Portraits of the Tang people are always in high spirits, bursting with endless youth; The demeanor of Tang poetry expresses the most authentic temperament and aims at the ideal of making contributions to life.

The more profound and profound China culture is, the more we need blood to inspire us. The Tang Dynasty is an unrepeatable cultural dream and a youth of China. We remember the poets with top aspirations and the stormy Chang ‘an. We either enjoy youth, or have feelings for youth. Under the infiltration of Tang people and Tang poems, we will always remember a passionate self.